This article is a review of a music creative processes in which it was applied compositional strategies combined to sound spectral analysis based on audio descriptors. This procedure supported the creation of the work “Lana Tai-no dia em que nasceu uma aquarela” for string orchestra. For that, some instrumental mixtures and orchestration were made using a Sound DataBase. In this particular case, a virtual environment in Pure Data (PD) software, using the library for analysis fucntions PDescriptors, analyzed some potential orchestral settings. All the results, issues and compositional reflections were used to create “Lana Tai-no dia em que nasceu uma aquarela”. This approach rises up a new contribution in the development of research in both ...
This tesis reports on research carried out and published during the last twenty years on different p...
We present a new framework to study the interaction between musicians, technology and various capabi...
Often it may seem that electroacoustic music provides fewer resources and less evidence for musicolo...
Ubiquitous music is here understood as a natural derivation of electroacoustic music, in which elect...
In the last 20 years, we have seen the nourishing environment for the development of music software...
Since the advent of real-time computer music environments, composers have increasingly incorporated ...
International audienceThis article addresses the problem of the representation and creation of sound...
Transcription is an increasingly influential compositional model in the 21 st century. Bridging tech...
In our daily lives, we are constantly surrounded by music, and we are deeply influenced by music. Ma...
O que será tratado nesta pesquisa é a busca de uma estratégia composicional para a música instrument...
Timbre space is a cognitive model useful to address the problem of structuring timbre in electronic ...
The reworking of existing music in order to build new one is a quintessential characteristic of the ...
CATORACLE responds to the need to join high-level control of audio timbre with the organization of m...
One imagines composed music as originating in the mind of an author. Indeed, I have for the last six...
International audienceContemporary music composition is a highly creative and disciplined activity t...
This tesis reports on research carried out and published during the last twenty years on different p...
We present a new framework to study the interaction between musicians, technology and various capabi...
Often it may seem that electroacoustic music provides fewer resources and less evidence for musicolo...
Ubiquitous music is here understood as a natural derivation of electroacoustic music, in which elect...
In the last 20 years, we have seen the nourishing environment for the development of music software...
Since the advent of real-time computer music environments, composers have increasingly incorporated ...
International audienceThis article addresses the problem of the representation and creation of sound...
Transcription is an increasingly influential compositional model in the 21 st century. Bridging tech...
In our daily lives, we are constantly surrounded by music, and we are deeply influenced by music. Ma...
O que será tratado nesta pesquisa é a busca de uma estratégia composicional para a música instrument...
Timbre space is a cognitive model useful to address the problem of structuring timbre in electronic ...
The reworking of existing music in order to build new one is a quintessential characteristic of the ...
CATORACLE responds to the need to join high-level control of audio timbre with the organization of m...
One imagines composed music as originating in the mind of an author. Indeed, I have for the last six...
International audienceContemporary music composition is a highly creative and disciplined activity t...
This tesis reports on research carried out and published during the last twenty years on different p...
We present a new framework to study the interaction between musicians, technology and various capabi...
Often it may seem that electroacoustic music provides fewer resources and less evidence for musicolo...